Bumblefoot talks with I Heart Guitar

ron thalphoto by Larry DiMarzio

IHG: What was the deal with the one that had the bass neck bolted on it?

BF: Looking back I probably shouldn't have done those things to the guitars I did it to. That one was, I think, a reissue of a 50s Stratocaster. It was a really nice Stratocaster, but the thing would not stay in tune. It was real squealy. The neck was constantly bending all over the place, and to me the value of a guitar comes from how it is in your hands, not the name or the date. So I took the thing and I just chopped it up, and on the bottom horn I took a bass neck, I cut it in half at around the 7th fret, pulled all the frets off and refretted it to have the spacing that would fit a guitar that was starting at the 12th fret. I set it into the bottom horn of that Stratocaster and had a little Badass bridge that I spaced at the right spot, put a DiMarzio Super Distortion in there, and had this little mini guitar sticking out of the bottom horn. Every once in a while I would flick a toggle switch down to it and hit these notes that would just squeal and scream so hard. It was just brutal. Just that tone that would go right through you. I was playing at this place in Brooklyn, and at the end I was using that guitar, and I switched to that neck and was holding this one note, and the whole audience was holding their ears in pain. I was just like, ‘Yeah.’ I was loving torturing everybody. It was cool.

Read the entire interview at iheartguitarblog.com i heart guitar logo


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